Looking For A Bridge
October 10, 2007
Zen rock garden in Kyoto, Japan. Taken last month.
For a very long time I wanted to creatively conquer the world and
inspire as many people as possible to follow their dreams. I was 25
years old when a clear idea of how I might be able to do this came to
me and 28 years old when I embarked upon that journey. That journey
was Swirly. And against all
odds, all the competition, all the things I didn’t know how to do and
all the things I did wrong, I actually did it. No, I didn’t become
Oprah huge, but in the universe of the work I did as an artist, I made
a significant mark and it is one of my proudest achievements. These
days it is not over and done with, but I took my creative focus away
from it a while ago, which was the best thing for me to do as an artist
and a woman.
Since then I have been putting my energies toward an entirely
different creative universe, and while I have had some great successes
with that as well, it is such a different beast that I’m still not
entirely sure I want to become too entrenched in it. The world I am in
now revolves around "fine art", galleries, shows, and selling original
work to those who are able to see it as a result of my own marketing
and efforts or those of the galleries I am in. With Swirly, my work
was being dispersed many times over through everything from greeting
cards to watches, aided by sales reps across the country, licensing
agents and licensing partners. Swirly was about volume, product
placement and brand recognition; the work I am doing now is about
wanting my work to move and inspire people in such a way that they
simply cannot live without having it on their wall. Both kinds of
audiences – "markets" if you will – and purchases can be emotional and
valuable, but one requires a great deal more thought and investment
from the buyer, particularly as prices for original work goes up.
I have very mixed feelings about the idea of trying to pursue a
level of success that will ensure that many people cannot afford my
original work. I am not interested in undervaluing the work I do, but
I feel like I am straddling two worlds, or maybe the better term is two
mindsets – one, which I lived by for a very long time, was about
wanting to share my work as widely as possible and earning an income
was all about volume. The second is also about wanting to share my
work as widely as possible, but earning an income is more about
developing a strong enough following as an artist that my work commands
higher prices and therefore volume is not the goal. I have actually
lost interest in trying to have my name or "brand" plastered on as many
things as possible, because I am so sick and tired of reading about all
of these people wanting to create their own "lifestyle brands" and
people who are so desperate for fame that they subject themselves to
reality TV shows and the like. I’m not sure why this obsession with
fame has grown to such a fever pitch in our society, but I find it
rather disturbing. Do this many people feel so alone and invisible in
the world that they can’t be happy simply being themselves?
But I digress. I am not exactly sure where these questions of late
are taking me, but I feel stuck between two questions with no bridge in
sight. On the one hand, I am completely fed up with the notion that I
must somehow compensate for the very fortunate fact of being able to
say I am an artist by undervaluing my work. On the other hand, I have
an almost visceral aversion to the idea of trying to create any kind of
"hype" or "cache" around my work as an artist in order make the right
people believe they ought to be paying thousands of dollars for one
painting. I’m not sure I want to become part of that race. I’m not
sure I’d like the rules.
It is a gift and a curse to feel compelled to examine so many
things, to ask questions and to be willing to follow them without any
kind of map. But this is who I am and I’m not foolish enough to think
I can turn this part of myself off. There is also no chance I will
ever be able (or willing) to turn away my creative self, so maybe the
specifics of that journey aren’t as important as I sometimes think they
are – as long as I am an artist, I am being true to myself and that
alone makes a positive impact on the world. When I travel, I prefer to
take each day as it comes, avoid a lot of plans and to wander, wander,
wander. That is what I am trying to do now with all of the questions
swirling around in my brain. Rather than try to tackle them hard and
beat the answers out of them, I’m trying to just take them for long
walks and see what they have to show me. Maybe I won’t find a bridge,
but I bet I see a lot of cool stuff along the way.




I’ve been to this zen garden, and I think that the answer you’re looking for is contained within its walls. As I recall, you can’t see all of the rocks from anywhere that you sit, and this is a metaphor for life. Enjoy the view from where you are each moment. The answers will come when you’re supposed to see them.
amen, sister… questions that are so integral to walking through this life as an artist… thanks for your insites and the questions that they invoked for me, and for adding more spice to the flavours of life…
i will take you over oprah any day!
i love this message. i have ponder it
quite often.
“On the one hand, I am completely fed up with the notion that I must somehow compensate for the very fortunate fact of being able to say I am an artist by undervaluing my work. On the other hand, I have an almost visceral aversion to the idea of trying to create any kind of “hype” or “cache” around my work as an artist in order make the right people believe they ought to be paying thousands of dollars for one painting. I’m not sure I want to become part of that race. I’m not sure I’d like the rules.”
You have perfectly verbalized things I’ve thought about art for years. It seems like another meaty question is–what are our thoughts worth/ideas worth? And how in the world do we go about putting a value on that?
Hi! I just stumbled across your blog and I want to thank you for this post. You have put into words what I feel in my heart. I’m a Mother of 2 young girls. I am seeking to find my way back to my art after a time away and am full of questions about which way to go. I love the very end of the post where you talk about how “It is a gift and a curse to feel compelled to examine so many things, to ask questions and to be willing to follow them without any kind of map.”
Thank you for encouraging me today!
christine, your posts often invite me to take a deep breath and sit in the silence and feel. tonight i feel thankful for your voice and what you share here with such honesty. i love this idea of sitting with the thoughts and questions, taking them for a walk as you say, instead of pressuring yourself to know the answers in this moment.
So much to say – I’m saving it for in person. But carrying these thoughts along with me for the next week so that I’ll be bursting to talk about it by the time I get there!
x
Maybe it’s not as much about the bridge as it’s about that flows under it. Otherwise, just go with the flow. Your art is movement and moving. . .
I have been struggling with these questions, from a different point on the artists journey but about the same questions.
I don’t feel I wrote my feelings clearly but they are brimming over in my mind and can’t seem to make it onto paper without getting in a jumble.
Reading your post has given me some comfort and clarity.
Thank you